Back in ’76, at the Frankfurt Motor Show, Ted Mountainé discovered the Mercedes-Benz 123 series for the first time, which marked the beginning of a long-lasting love affair.
Unlike his band leader peers, who often went for flashy luxury cars, Mountainé appreciated the solid and unassuming aura of a car that looked more like a car than any other car he had ever seen, the new Mercedes 200.
And in many ways this mobile entity, practically lifted directly from Plato’s aspatial, atemporal Forms into the physical world by pure German industrial strength, became a symbol of the no-nonsense, utilitarian easy listening landscape that shaped a certain part (elevators, mostly) of the following decades with Ted Mountainé behind the steering wheel.
Unfortunately, due to the temporal whims of the space-time continuum, most people reading these words will not be aware of Mountainé’s moderate reputation in some of our parallel worlds.
But we are lucky enough to be able to present a few of his sound recordings here, to showcase the subliminal audial presence he commanded in some other – choice, naturally – worlds. Here is Robots in Suits, a musical taster from another 1983.